The Delivery (4) TO STARS HOMES" sign and TRASH CAN, upsetting them and knocking a map-hawking kid out of his lawn chair... Pop-Sweet rolls in star-maps and garbage. Gets up... Keeps running. Merrill leaps the trash can. A moment, then Augustus arrives, leaps... Trips over the trash can, falls hard. Scrambles up. AHEAD, Pop-Sweet shoves an OLD WOMAN to the ground. People gather to help the Old Woman up. She's thanking them as Merrill comes barreling thru... knocking her down again. AT AN INTERSECTION Pop-Sweet runs across. Cars swerve and brake, CRASHING all around,.. Pop-Sweet gets HIT, rolls across a car's hood... CRACKS the windshield and rolls off... Pop-Sweet recovers, dazed, stumbling to sidewalk... Merrill's bearing down, makes a diving tackle... INT. ANTIQUE SHOP -- AFTERNOON Merrill and Pop-Sweet SMASH thru the front window. The SHOP OWNER and a WEALTHY LADY react, terrified. SHOP OWNER Oh my Lord, no!! Merrill and Pop-Sweet wrestle, punching and grappling, surrounded on all sides by antiquities and shelves loaded with precious knick-knacks. SHOP OWNER No, no, no! Stop this! Pop-Sweet swings his arm cast -- KNOCKS Merrill back... Merrill lands against shelves... Fragile items teeter on the brink, miraculously not falling. Pop-Sweet runs up a nearby STAIRCASE. Merrill leaps to follow. The shop owner goes to steady the shelves. Behind, THRU THE BROKEN WINDOW: we can see Augustus rumbling this direction. SHOP OWNER (sigh of relief) Thank God. The shop owner takes a step back. Augustus jumps thru the broken window... AUGUSTUS Make way! BUMPS the shop owner, heading for stairs... The shop owner's knocked forward, SLAMMING shelves. Dishes and trinkets SHATTER. Shelves COLLAPSE like dominoes. CUT TO: EXT H 'WOOD ROOFTOPS -- FOOTCHASE CONTINUES Pop-Sweet flees out a rooftop door. Merrill follows. They jump from roof to roof. Augustus arrives, far behind, really dragging. ON ROOFTOPS Pop-Sweet leaps from a higher ledge, runs to an open door. Above, Merrill arrives, sees Pop-Sweet go thru that door. INT. STAIRWELL -- FOOTCHASE CONTINUES Pop-Sweet hurries downstairs, into a hall. INT. MOVIE THEATER -- FOOTCHASE CONTINUES Pop-Sweet comes through a door at the back of the theater, gasping, squinting in the dark. The theater's pretty crowded. On the screen, Linda Blair curses and vomits im "The Exorcist." Pop-Sweet heads down the center aisle, looks back... Merrill enters from the same door. He spots Pop-Sweet. Merrill chases. Pop-Sweet picks up the pace, yelling... POP-SWEET Fire! Fire!! Pop-Sweet runs to an exit as panic begins. PEOPLE SCREAM and pour into the aisle. Merrill curses... MERRILL Fucking first amendment violation... Merrill's caught in the rush of patrons, like trying to swim upstream. It's useless. EXT. THEATER, REAR -- FOOTCHASE CONTINUES Pop-Sweet pushes out the exit, followed by theater-goers. He runs down an alleyway. EXT. THEATER, FRONT -- FOOTCHASE CONTINUES Merrill's in the mob exiting below the marquee. He pushes through, heading down the block. Augustus comes out... follows Merrill. EXT. ALLEYWAY -- FOOTCHASE CONTINUES Pop-Sweet enters this deserted alley, exhausted. He looks around, has an idea... climbs into a TRASH DUMPSTER, closes the lid. After a moment, Merrill arrives, running past... Augustus arrives, watches Merrill disappear around the next corner. Augustus follows, red faced... stops, doubled-over, breathless. Giving up, Augustus goes to sit on the ground, beside the dumpsters, takes out his cigarettes. A moment, then, mere inches above Augustus's head, one dumpster lid raises and Pop-Sweet peers out. Pop-Sweet looks around, with Augustus just below his sight line, satisfied the coast is clear. Pop-Sweet throws the lid open and starts to climb out. Augustus looks up... Pop-Sweet looks down -- they both cry out in surprise. Augustus jumps, grabbing, but Pop-Sweet clamors atop another dumpster, looks up... There's a long LADDER up the side of the building. It's within reach. Pop-Sweet starts climbing. AUGUSTUS Merrill! Augustus awkwardly climbs the dumpster. EXT. PARKING LOT -- FOOTCHASE CONTINUES Merrill runs out from the alley, searching. AUGUSTUS (distant) Merrill! Merrill hears, backtracks, running... EXT. ALLEYWAY -- FOOTCHASE CONTINUES Merrill arrives, confused... looks up... Pop-Sweet's high on the ladder, hampered by his broken arm. Augustus climbs after. Four stories up. MERRILL Ah, fuck, Gus... careful! AUGUSTUS I got him. Augustus grabs at Pop-Sweet's ankles. Pop-Sweet kicks. MERRILL Don't you let him fall! You hear me? Augustus grabs Pop-Sweet again, hanging on to his pants leg. Pop-Sweet hooks his cast around a rung, swinging with his good hand, beating on Gus. Pop-Sweet's cast arm slips... MERRILL Don't drop him! We need him... Pop-Sweet falls... screaming... Merrill watches him drop. The SICKENING THUD is HEARD MERRILL ... alive. Merrill lets out a sigh, looks admonishingly up at Augustus. Augustus looks down, embarrassed, at a loss. CUT TO: EXT. TED'S MANSION, REAR PORTICO -- AFTERNOON Facing a vast view of the cityscape, Ted's alone, continuing to play his Stradivarius violin. He's as awful as before, but the difference is his patience is less. His level of frustration has brought him near tears as he tries over and over to play a section of music that just refuses to come out anything other than jarring squeaks. Finally, Ted grips the Stradivarius by the neck and SMASHES it against the porch wall, again and again, till all that's left of it are very expensive toothpicks. Ted catches his breath, in a terrible state, regretting. Expecting to feel better, he feels much worse. BALLS Excuse me... Mister Johnson... Ted wheels to see Balls and Poe arrive. TED What is it? Balls walks over, begins whispering in Ted's ear. Balls finishes, steps back. Ted ponders, then crosses on his way back into the mansion. TED Kill them, Poe. Find them, and make them very dead. Poe nods. CUT TO: INT. PRECINCT, CAPTAIN'S OFFICE -- AFTERNOON D.A. Cocksucker studies the captain's bombed out office, grim. He turns to the doorway, addressing POLICEMEN assembled in the vice squad bullpen. D.A. COCKSUCKER Arrest them. Bring them to me. Bring them to justice! CUT TO: INT. "HOUSE OF PIES" RESTAURANT -- AFTERNOON Officer Steve pays for coffee near a pie display reading "Happy Pie-Centennial!" He WHISTLES at a passing woman in a mini-skirt. A BLAST of SIREN is HEARD. He looks. Outside, Officer Jim's in the squad car, motioning for Officer Steve to pull out. EXT. "HOUSE OF PIES" RESTAURANT -- AFTERNOON Officer Steve climbs in the car beside Officer Jim. OFFICER JIM A.P.B. came over the radio. They just declared open season on the Three Stooges. OFFICER STEVE (grins) What are we waiting for? The squad car takes off. CUT TO: EXT. H'WOOD SIDE STREET -- AFTERNOON Jules sits atop the Mustang, reading Pop-Sweet's ledger book, waiting. Merrill and Augustus are on their way from down the block, worn-out. JULES You get him? MERRILL Dead. JULES Chalk up another victory for Augustus's one man war on crime. AUGUSTUS Who said it was me? Anyway... he fell off a ladder. It wasn't really my fault. JULES Well, I got something.. (holds open ledger) Pop-Sweet's accounting ledger for the Disco-Strip. All the money transactions. Look... (shows ledger to Merrill) Someone's putting their initials beside the weekly totals. Like they're acknowledging a deposit. MERRILL (reading) "A.D." AUGUSTUS Who's that? Ted's money-man? JULES If it is, that's pretty high up on the totem pole. What do you think? MERRILL Gimmie a minute. Merrill leans against the Mustang, brooding, hands in pockets. He looks down, touching the folded poster, remembering... FLASHBACK -- XXX-THEATER -- THAT AFTERNOON The "DEEP ASS" poster featuring Gus's girlfriend. BACK TO SCENE ON STREET Merrill pushes the poster back in his pocket, troubled. MERRILL Alright... how about you two hit the strip and start knocking some heads together? Find out who "A.D." is. I got a quick errand to run. JULES Sounds good. Jules slides down off the car while Merrill gets in. AUGUSTUS (to Merrill) Where you gonna be? MERRILL It's personal. (starts the car) We'll hook up at Augustus's pad in an hour. See ya then. Merrill drives away. Augustus and Jules start down the street. -SCREEN Merrill drives the Mustang, looks Jules and Augustus at his watch. flatfoot it down Sunset Boulevard. The parade of the Tall Ships Jules and Augustus in New York Harbor. question a wild-eyed junkie. Prez Ford gives Augustus asks a speech on the steps questions of a of Independence Hall glam-rock singer. in Philadelphia. The glam-rock singer Augustus slaps seems to be giving the glam-rock singer Augustus an argument. senseless. Jules and Augustus Shriners in hats talk to a strung-out drive miniature cars junkie whose entire in a Bicentennial torso is covered in parade. tattoos. Jules and Augustus Jules and Augustus question hookers, question a leather-clad, showing the ledger. S+M macho-man stud. Jules holds a gas Old men pose station attendant wearing Colonial in a choke hold costumes. while Augustus questions him angrily. Merrill parks the A poodle wears a Mustang in front of a R,W+B sweater and run-down apartment little booties. complex. Merrill gets out of Augustus and Jules the Mustang. continue down Sunset, arguing. Augustus and Jules question another Augustus throttles junkie who wears a the antenna-wearing top-hat with antennas junkie. coming out the top. Augustus knocks On a busy highway, the antenna-wearing a huge parade float junkie down and bust of Abe Lincoln's kicks him head is towed by a repeatedly. R,W+B pick-up truck. Merrill stands' in front of the apartment complex... EXT. APARTMENT COMPLEX -- AFTERNOON Merrill stands in front of the apartment complex, lets out a resigned sigh. He goes inside. INT. "SCHOOL Girls" APARTMENT -- AFTERNOON Merrill flattens the "Deep Ass" poster on a table. Augustus's "school-girl" looks on, sad. The apartments horrid. "Love American Style" plays on T.V. "SCHOOL-GIRL" I... I can explain... MERRILL I'm looking at this poster, and I'm thinkin', I don't remember seeing films like this when I was in school. "SCHOOL-GIRL" I was going to tell him. MERRILL What were you gonna say? Exactly how did you think he was gonna make the leap from dating a sweet, innocent school teacher to an ass-fucking porn star? "SCHOOL-GIRL" (starting to cry) But... I love him. I do... Gus's girlfriend buries her face in her hands, weepy, Merrill starts looking around for something. MERRILL All I know is, you're setting up my pal for the world's biggest broken heart. Merrill finds a pad of paper. "SCHOOL-GIRL" Let me tell him. Let him decide. MERRILL You're not gonna see him again. "SCHOOL-GIRL" What... what makes you think you can order me around?! MERRILL Maybe I'm not making myself clear. You're probably the first girl Augustus's ever fallen in love with, and I know for sure you're the first he's slept with. So, how's he gonna feel... (holds up poster) ... when he finds out that the only first he is for you is the first guy who didn't have to pull out at the last second to get his close-up? The "school-girl" wipes tears, miserable. MERRILL Hasn't he got enough problems, or didn't you notice that's not cream soda on his breath? "SCHOOL-GIRL" ... okay... you made your point. Merrill lays the pad of paper on the table, places a ball-point pen on the pad, pulls out a chair... MERRILL Sit. CUT TO: EXT. AUGUSTUS'S HOUSE -- AFTERNOON The Mustang pulls up the drive of Augustus's tiny house. DOWN THE STREET, in a parked Cadillac, Ted's henchman Mickey takes notice. He lifts the microphone of a CB RADIO. BEHIND THE HOUSE, Merrill parks. INT. AUGUSTUS'S HOUSE, KITCHEN -- AFTERNOON Merrill jimmies the back door and enters. He looks around, opens a drawer... digs up a garbage bag. IN THE BEDROOM, Merrill goes to sort thru the closet. He pulls dresses and skirts, stuffing them in the garbage bag. He removes a bra from the back of a chair. IN THE BATHROOM, Merrill opens the medicine cabinet, finds lipstick, make-up and tampons. Puts them in the bag. EXT. AUGUSTUS'S HOUSE, REAR -- AFTERNOON Merrill comes out the back. At trash cans, he shoves the garbage bag deep, buries it. INT. AUGUSTUS'S HOUSE, LIVING ROOM -- AFTERNOON Merrill returns to place an envelope on a coffee table. VOICES are HEARD OUTSIDE... a KEY IN THE LOCK. Merrill hurries out just as Jules and Augustus enter. EXT. AUGUSTUS'S HOUSE, REAR -- AFTERNOON Merrill slips out the back. FOLLOW as he moves along the side of the house, keeping low, to the front. Down the street, in the Cadillac, Mickey watches, confused. INT. AUGUSTUS'S HOUSE, LIVING ROOM -- AFTERNOON Augustus goes to refill his flask near shelves which hold a Dallas Cowboy SHRINE: Super Bowl VI and XII pennants, autographed Roger Staubach photo and other memorabilia. Augustus crosses himself at the shrine, making sure Jules doesn't notice. Jules's looking around. JULES How can you afford this? AUGUSTUS Don�t ask. Merrill comes in the front door. MERRILL Been waiting long? JULES Just got here. MERRILL How'd we do? JULES A.D. is a C.P.A. MERRILL Come again... ? JULES Aaron Davis; Certified Public Accountant. But, that's all we got. MERRILL Maybe it's enough. Merrill finds a yellow pages PHONE BOOK in a pile of magazines, goes to open it on the coffee table, paging thru. AUGUSTUS No offices are gonna be open today. MERRILL (searching phone book) Lots of these pencil-pushers work out of their homes. It's a tax dodge. JULES Bad news is, word's spreading like wildfire that we don't have badges, and nobody wants to end up getting splattered like Bob either. AUGUSTUS If we don't catch a break soon, we're gonna be left standing with our dicks in our hands. JULES Speak for yourself. Augustus notices the envelope Merrill left on the table. He picks it up, curious... unfolds the letter inside. MERRILL (searching yellow pages) Bingo. Got him... (TEARS PAGE OUT) Let's pay Aaron a visit. Merrill stands, then notices Augustus reading the letter. MERRILL What do you got there, Gus? Augustus keeps reading, disbelieving, filled with sadness. He lowers the letter, staring off. AUGUSTUS She... she's gone... Merrill (takes letter, reading) Dear Gus... been thinking about us... decided you're too good for me. I don't deserve you... (jumps ahead) Don't try to find me... (to Augustus) Sorry, kid. That's a tough break. Augustus looks zombie-like, reaches to take the letter, studies it. He rips it up. Pause... then, Augustus lifts the coffee table and chucks it across the room. Merrill and Jules back off. Augustus goes berserk, wrecking the place. He flips the couch, pulls down shelves, knocks pictures off walls. EXT. AUGUSTUS'S HOUSE -- AFTERNOON Another Cadillac arrives with Balls and THUG-ONE. Mickey gets out of his Caddie, preps a machine gun. Poe pulls up in his supped-up MUSTANG with THUG-TWO as a passenger. INT. AUGUSTUS'S ROOM -- AFTERNOON Merrill and Jules watch Gus destroy his television. MERRILL He's taking this better than I thought he would. Augustus swats a lamp, kicks furniture, stumbles, and looks around, breathing heavily. Pause... then, he sits, bursting into tears. Jules moves to comfort him. JULES Whoa, whoa... it's gonna be alright. AUGUSTUS ... where... where's a jerk like me ever gonna find another girl to love him... huh?... Augustus sobs, truly heartbroken. Jules hugs him. JULES Don't talk like that. There's plenty of women around for jerks like you. AUGUSTUS You're lying... Merrill's sad, unsure. He pets Augustus's shoulder. MERRILL You're a good guy, Gus. These things happen... Augustus hugs Jules. She holds him, really feels for him. Merrill notices something strange... crosses... At the window, Merrill pulls the curtain: sees Poe and four other villains heading across the lawn with lots of guns. EXT. AUGUSTUS'S HOUSE -- AFTERNOON Poe spots Merrill at the window. POE Now! Villains OPEN FIRE... INT. AUGUSTUS'S HOUSE -- AFTERNOON Merrill turns and leaps onto Jules and Augustus, bowling them over in mid-hug as the FRONT WINDOW IS BLOWN TO SMITHEREENS. DOZENS of BULLETS and SHOTGUN BLASTS pepper the walls. EXT. AUGUSTUS'S HOUSE -- AFTERNOON Poe and the others move in, all SHOOTING... INT. AUGUSTUS'S HOUSE -- AFTERNOON Augustus crawls, wiping tears, terrified. Jules and Merrill follow. Glass, plaster and splinters of wood shower down. Augustus looks back... Sees his Cowboy SHRINE BLASTED to PIECES AUGUSTUS Motherfuckers! IN THE KITCHEN, Augustus, Merrill and Jules sprawl through the doorway. BULLETS RICOCHET. Cupboards are blown open. EXT. AUGUSTUS'S HOUSE, REAR -- AFTERNOON Augustus, Jules and Merrill tumble out the back door. They scramble towards the Mustang. EXT. AUGUSTUS'S HOUSE, FRONT -- AFTERNOON Villains keep up the assault. The Mustang appears from around the side of the house, ZOOMING down the drive... Villains redirect their fire. The Mustang hits the street... Heading away. Poe shouts orders as he and his fellow assassins run to their vehicles. CUT TO: EXT. URBAN STRAIGHTAWAY -- AFTERNOON Here comes the Mustang, full out.... BEHIND: two Cadillac�s followed by the Mustang. IN THE MUSTANG Augustus's loading a pump shotgun, muttering angrily... AUGUSTUS Destroy a man's Cowboy shrine. That's a declaration of war! Augustus turns to peer out back. AUGUSTUS Okay, we got... one, two... three... (up to Merrill) Two Caddies and Poe's Mustang. MERRILL Could be worse. I don't know how, but I'm sure it could. Jules sits backwards in her seat, on her knees, fastens her seatbelt. She leans out her window, FIRING... ON THE STREET Mickey shifts lanes as his windshield sprouts BULLET HOLES. Poe's Mustang pulls ahead of the Cadillac�s. Thug-Two leans out the passenger window and FIRES a MACHINE GUN... BULLETS STRIKE the Mustang's ass. REAR WINDOW SHATTERS. IN THE MUSTANG Merrill hunkers down. Jules reloads. Augustus's horizontal. JULES (to Augustus) You plan on shooting that gun or just hugging it? AUGUSTUS I'm waiting till the time's right. MERRILL Well, sometime before we're all dead would be nice, if it's not too much fucking trouble! ON THE STREET In the Mustang, Thug-Two withdrawals to reload. Augustus pops up in the Mustang's rear window, BLASTING... The Mustang's right HEADLIGHT FRAGMENTS. IN THE MUSTANG Augustus PUMPS the shotgun, targeting... AUGUSTUS He's too far back. Merrill looks in the rearview, hits brakes... ON THE STREET The Mustang slows, bringing the Mustang closer... AUGUSTUS Thank you... Augustus FIRES... Poe and Thug-Two duck as their HOOD is BLOWN CLEAN OFF... IN THE MUSTANG AUGUSTUS Fuckin a! Flipped his fuckin lid! ON THE STREET The hood spins in the air... bounces off Balls' Cadillac. IN THE MUSTANG Poe curses, downshifting, exposed ENGINE WHINING... ON THE STREET The Mustang falls back. Mickey's Cadillac comes to the Mustang's driver side... BASHING... SLAMMING... Augustus FIRES out the side window... CRACKS Mickey's windshield, but Mickey keeps RAMMING. FURTHER DOWN THE STREET The chase roars past. IN THE OPPOSITE LANE, a police squad car passes... IN THE SQUAD CAR Officers Steve and Jim crane their necks, looking back. OFFICER STEVE You see that? OFFICER JIM Sure as shit I did. Officer Jim spins the wheel... ON THE STREET The squad car jumps the divider, u-turning. AHEAD, DOWN THE STREET The Mustang and Mickey's Cadillac keep slamming. They separate to get around a slow truck, then... SLAM back together. BEHIND: GUNFIRE from Balls' Caddie... IN THE MUSTANG Merrill flinches as a BULLET DESTROYS his REARVIEW MIRROR. MERRILL This is completely, Goddamn unacceptable! ON THE STREET Merrill accelerates as Gus and Jules return fire. The Mustang moves left, cutting in front of Mickey's Cadillac... IN THE MUSTANG Merrill looks to Jules, who's reloading again. MERRILL Get his attention. JULES (raises and cocks guns) Your wish is my command. ON THE STREET The Mustang brakes, keeping left, which brings Mickey's Cadillac along Jules's side as Jules OPENS FIRE... Mickey ducks as his WINDOW IMPLODES... Merrill jams the steering wheel right... FORCING Mickey's Cadillac over, toward sidewalk... IN THE MUSTANG MERRILL (thru clenched teeth) This one's for McDoogle's kid!! ON THE STREET Mickey's Cadillac COLLIDES with parked cars -- lifting impossibly, airborne, spinning sideways. CRASHING an abandoned STOREFRONT as citizens flee! IN THE MUSTANG JULES (looking back) Bye-bye bad guy! ON THE STREET Back at the storefront, Mickey's Cadillac BURSTS INTO FLAME! Debris flies. And then, as one might expect, Mickey leaps out from fire, BURNING FROM HEAD TO TOE, running in circles, flapping his arms! CUT TO: EXT. DOWNTOWN -- CHASE CONTINUES AT THE MOUTH OF A TUNNEL, the Mustang soars out, heading downhill to mid-city streets. The Mustang and Balls' Cadillac follow... The squad car tails, still in the running. IN THE MUSTANG A SIREN is HEARD behind. Merrill glances back, happy... MERRILL Hey-Ho... ! Maybe we're not alone in this thing after all. JULES (lifts sunglasses, squints back) Who is that... ? ON THE STREET In Balls' Cadillac, Thug-One SHOOTS at the squad car as it passes. Officer Steve returns fire. Then, the squad car overtakes Poe's Mustang. Officer Steve SHOOTS at Poe. The Mustang swerves away. IN THE MUSTANG AUGUSTUS Far out, man! Get those bastards! Augustus gives a thumbs-up, smiling... IN THE SQUAD CAR OFFICER STEVE Fucking hot-dogging vice pricks. Let's see how hot you are now... ! Officer Steve levels his pistol at the Mustang... IN THE MUSTANG The smile is wiped off Augustus face as Officer Steve FIRES at him repeatedly. Our heroes duck and cringe... ON THE STREET The Mustang takes a sharp turn, gaining breathing room. IN THE MUSTANG MERRILL What the hell's his problem? JULES You mean, besides the warrant out on us for blowing up our commanding officer? Augustus rise's with his "Cowboy" helmet on, peers back, recognizing the officers behind... AUGUSTUS Remember those two uniform cops who been giving us such a hard time... ? MERRILL Yeah. AUGUSTUS The ones you got in that fist-fight with a couple a weeks ago... ? MERRILL Yeah. AUGUSTUS That's them trying to kill us. MERRILL Well, they sure know how to hold a grudge. ON THE STREET The Mustang makes another shrill turn... Past a "WRONG WAY" sign, up a "ONE WAY" street... IN THE MUSTANG THRU THE WINDSHIELD: lots of cars heading this way. JULES Interesting choice. Merrill lays on the horn, steering... ON THE ONE WAY STREET Chaos. The Mustang weaves thru traffic. HORNS BLARE. Cars SMASH each other to avoid head-on collisions... Behind, the patrol car slows, breaking away, choosing another route. But, the Mustang follows the Mustang... Side-swiping other vehicles, SCRAPING past, RAGING FORWARD. Behind, Balls' Cadillac RAMS cars aside... Takes the path of least resistance: sidewalk... PLOWING THRU clothing racks and tables of a "SIDEWALK SALE." The Cadillac clips tall SCAFFOLDING on its way back to the street. The scaffolding lets out a CREAKING GROAN... Scaffolding falls... In the street, drivers inspecting their crashed cars must now to run for their lives as scaffolding CRASHES DOWN. Above, WORKMEN hang from windowsills, screaming. AT THE END OF THE BLOCK The Mustang hits open street, blasting forward. Congestion ahead, so the Mustang cuts across sidewalk BOUNCING up a wide, marble staircase... IN AN OPEN AIR PLAZA A FOLK SINGER plays guitar and sings about "peace, love and happiness" for an audience gathered around a fountain. Many others are picnicking on blankets nearby. The Mustang ROARS as it reaches the top of the stairs... Heading straight for the crowd... Pigeons take flight. People shriek and flee. Many are knocked into the fountain. The Mustang cruises thru. Behind, the Mustang and Cadillac follow.. ACROSS THE PLAZA The Mustang RUMBLES down another staircase. CUT TO: EXT. MORE DOWNTOWN STREETS -- CHASE CONTINUES FOLLOW as the Mustang arrives, spinning out, moving on... RIPPING PAST cross streets... Gaining some distance on the Mustang and Caddie. Behind, the squad car turns off one cross street, fishtailing to rejoin the chase. AHEAD Merrill takes the Mustang down a long block... IN THE MUSTANG MERRILL (daunted) Okay... it just got worse...
Copyright © 2005 R Perez |