Window-Shopping (5)
Lisamarie Jones

 


I still can’t get over what you said! It was amazing!



 



LAURIE



Yeah, so amazing that it probably got me fired again.



 



ANGELA



Possibly got you fired, and anyway, what does that matter right now?
Jeff wanted to see you!



 



LAURIE



But we still don’t know what he wanted to say, or even when
I’m supposed to meet him.



 



ANGELA



Laurie, if you want those dreams of yours to come true, you’ve got
to wake up.



 



LAURIE and ANGELA enter Ray’s Coffee-House.



 



52. INT. RAY’S COFFEE-HOUSE. DAY.



 



ANGELA and LAURIE enter the coffee-house. It is very busy, and there is
a crowd of people trying to get out. Once the crowd has dispersed, ANGELA notices MR.
HARDING, who is facing the door.



 



 



ANGELA



Laurie, look, there’s that Mr. Harding of yours. Who’s he
with?



 



LAURIE



I don’t know, but I’m going to say hello. There are two seats
at that table, and I need to sit down.



 



LAURIE and ANGELA make their way through the coffee-house towards MR.
HARDING’S table. When they reach it, MR. HARDING stands to greet them. MARK is about
to stand and introduce himself when he knocks his coffee over. He grabs some tissues to
mop up the spill.



 



 



MR. HARDING



Laurie! Angela! It’s nice to see you, girls. Sit down, won’t
you?



 



LAURIE



Thanks, Mr. Harding.



 



MARK suddenly realises what MR. HARDING has just said, and looks up
sharply. He recognises LAURIE.



 



 



MARK



Laurie!



 



LAURIE



(Surprised) Yes?



 



MARK



It’s me, Mark Hammond. Jeff’s friend.



 



LAURIE recognises MARK.



 



 



LAURIE



Oh my God!



 



MARK



Jeff’s been talking about you non-stop. Well, what he knows,
anyway; all about your eyes, and your name and your job… I wish he knew more, because
those things can get a bit boring after a while! Oh, no offence, of course.



 



LAURIE



(Incredulously) He’s been talking about me?



 



MARK



Yes, so he was rather cut up when you said you didn’t want to see
him. Ever.



 



MR. HARDING



Laurie! Why d’you say that, love? I thought you liked him.



 



LAURIE



I never said that!



 



MARK



Well, no, not to his face, granted, but you left the message with the
concierge, and he passed it on.



 



LAURIE



I think there’s been a huge mistake here; my message was my phone
number, I didn’t say anything about not seeing him! (Pause) Pauline! It must have
been her; Samantha gave her the number!



 



MARK



Who’s Samantha?



 



 



 



 



ANGELA



That’s got to be it! What the hell does she think she’s doing?
She can’t make Jeff love her by sabotaging any chances you might have.



 



MARK



Pauline? She’s the one who came here when it was supposed to be
you. I’m confused. Who’s meeting Jeff here at five?



 



LAURIE



You mean he’s still coming here? I thought you said he didn’t
think I’d be turning up.



 



MARK



He always comes here, he likes it, and at the moment, I’d say
Pauline was going to be here as well. It’s okay, though. If you just wait here,
he’ll arrive, and Pauline won’t have a look in.



 



LAURIE



Hang on, what time does his train get in?



 



MARK looks at his watch.



 



 



MARK



In about half an hour. Why?



 



LAURIE



I want to meet him at the station.



 



ANGELA



But you might as well stay here.



 



LAURIE



I’m not letting Pauline even have a chance to see him. The old
Laurie might have, but not the new, improved Laurie. I’m not going to sit back and
wait for him to come to me; I’m going to go to him instead. I don’t want him to
think that I don’t want anything to do with him for a moment longer than is
necessary.



 



MARK



That’s a nice speech, Laurie, but you’d better get going;
it’s getting close to rush hour.



 



ANGELA



I’ll drive.



 



MARK



I’ll make sure Pauline sticks around long enough to see you and
Jeff together, If she dares to show herself, that is. Here’s my mobile number, just
in case you need it.



 



MARK hands LAURIE his card, and then settles down with the remains of
his coffee.



 



 



LAURIE



Mr. Harding? Are you staying here, or coming with us?



 



MR. HARDING



Staying. I don’t want to slow you down chasing after this bloke,
and after everything she’s done, I’ve got to see this Pauline. Besides, Mark
doesn’t want to look like a loner, does he?



ANGELA



Come on, let’s go!



 



ANGELA and LAURIE hurry out of the coffee-house.



 



 



 



 



 



 



53. EXT. ROAD. DAY.



 



ANGELA and LAURIE are sitting in a car. They are waiting in a long
queue of traffic.



 



 



 



 



 



 



54. INT. ANGELA’S CAR. DAY.



 



ANGELA is impatiently tapping her steering wheel, as LAURIE leans out
of the window to see what the hold up is.



 



 



LAURIE



We’re not going to make it!



 



ANGELA



Calm down, I’ll get us there. We’ve still got time.



 



ANGELA pulls out into another lane of traffic, ignoring the horns of
other nearby cars.



 



 



 



 



 



 



55. INT. RAY’S COFFEE-HOUSE. DAY.



 



MARK and MR. HARDING are sitting at their table in the coffee-house.
There are many empty coffee mugs on the table.



 



 



MARK



This is exciting, isn’t it?



 



MR. HARDING



Exciting?



 



MARK



Yes; thwarting the evil villain, and getting the hero and heroine
together at last. You could call it one of the last vestiges of romance.



 



 



MR. HARDING



I think you’ve had too much coffee, son.



 



MARK laughs.



 



 



 



MARK



Well, while we’re waiting for the wicked witch to turn up, I may as
well get another one. Do you want one?



 



MR. HARDING



No thanks. My liquid intake is smaller than yours; I can only take a
couple of gallons!



 



MARK



(Good-humouredly) Light weight!



 



MARK leaves the table to go and order his coffee at the counter. While
he is gone, the door of Ray’s opens, and PAULINE walks in. By this time, there are a
number of empty tables, and she takes one facing the door. DANIELLE slowly approaches her,
takes her order, and walks away looking upset. MARK returns, and MR. HARDING nods in the
direction of PAULINE.



 



 



MR. HARDING



From that way that she’s just managed to upset that little
waitress, I’m guessing that she is the one we’ve been waiting for. What’s
the woman’s name again?



 



MARK



Pauline Haslam. She certainly looks disagreeable enough.



 



MR. HARDING



Before you spend your time watching someone you’re not supposed to,
I’m going to find out for you. It’s time I was going anyway; my grandkids are
coming over for the weekend.



 



MR. HARDING stands, and shakes hands with MARK.



 



 



MR. HARDING



Good luck, son. The fate of the universe may not rest on your shoulders,
but the fate of someone very special to me does.



 



 



MARK



Thanks, Mr. Harding.



 



MR. HARDING walks in the direction of the door, and just as he is about
to open it, he turns in the direction of PAULINE. He looks very surprised, and walks over
to her. As he nears her table, PAULINE looks at him disdainfully.



 



 



PAULINE



Can I help you?



 



MR. HARDING



Pauline? Pauline, love, don’t you remember me?



 



PAULINE



Remember you?



 



MR. HARDING



You are Pauline, aren’t you?



 



PAULINE



Yes, but I don’t believe we’ve ever met. How do you know my
name?



 



MR. HARDING



Of course we’ve met; it was at your brother’s wedding.
I’m Kathy’s dad.



 



PAULINE



(Annoyed) Look, I don’t have a brother, and I don’t know of
anyone named ‘Kathy!’



 



MR. HARDING feigns confusion.



 



 



MR. HARDING



Wait a minute; you are Pauline Brown, aren’t you?



 



 



PAULINE



No I most certainly am not! My name is Pauline Haslam.



 



MR. HARDING



Oh, sorry, I thought you were someone else.



 



MR. HARDING turns to the door once more, leaving PAULINE utterly
confused. As he catches MARK’S eye, he winks. MARK smiles.



 



 



 



 



 



 



56. EXT. STATION. DAY.



 



ANGELA speeds into the car park of the station and parks her car
hurriedly. Both she and LAURIE climb out. They run to the platform that JEFF will be
arriving at. The train is already there, and people are disembarking.



 



 



LAURIE



Start looking!



 



ANGELA



But I don’t know what he looks like!



 



LAURIE



I’m beginning to think this may not have been the best plan of
action.



 



ANGELA



What happened to the new, improved Laurie Taylor?



 



LAURIE



Turns out she wasn’t so improved after all. Quick, if we go to the
station exit, he’s got to go past us!



 



LAURIE runs off, and ANGELA rolls her eyes, then follows at a much
slower rate. They reach the exit, but still can’t see JEFF. Suddenly LAURIE points
and calls out:



 



 



 



LAURIE



That’s him! In that taxi!



 



ANGELA



Tasty!



 



LAURIE



That’s not helping, Angela!



 



ANGELA holds the card that MARK gave them up to show LAURIE, and then
runs over to the payphones that are nearby. She dials the number.



 



 



 



 



 



 



57. INT. RAY’S COFFEE-HOUSE. DAY.



 



MARK is still sitting at the same table, looking incredibly bored, and
playing one of the games on his mobile phone. He lifts a half-full mug of coffee to his
mouth, looks down at it in disgust, and replaces it on the table. He sighs heavily, then
stifles a yawn as he goes back to playing with the games. He almost drops the phone when
it rings. The ring sounds like a Tango. He answers it.



 



 



MARK



Hello?… Wait, Angela! Calm down!… Yes, she’s sitting
there, waiting… No problem, she’s as good as gone, and you’d better get
back here quick smart!



 



MARK puts the phone into his jacket pocket and stands. He makes his way
over to PAULINE’S table.



 



 



MARK



Excuse me, are you Pauline?



 



PAULINE



God, not again!



 



 



MARK



My name’s Mark, I’m Jeff’s secretary. He just called me-



 



PAULINE



So it was you who disturbed the peace with that God-awful noise!



 



MARK



(Through his teeth) Ah, yes, sorry about that.



 



PAULINE



So, what did Jeff say?



 



MARK



Yes, I was getting to that. He said he’d left a message on your
machine, saying to meet him here at five. He wasn’t sure if you’d have got it,
especially if you came straight from work.



 



PAULINE



No, I didn’t get it. It’s just a lucky coincidence that
I’m here, wouldn’t you say?



 



MARK



Oh, Jeff’s a lucky man, all right.



 



PAULINE



I’m assuming there was some sort of message for me?



 



MARK



He’s in Manchester.



 



PAULINE stands, angrily.



 



 



PAULINE



(Shouting) What? What the hell is he doing in Manchester?




 



MARK nervously clears his throat.



 



 



 



MARK



There was a very important meeting; he couldn’t get out of it. He
tried, though, I swear! Anyway, he suggested that you go up to Manchester to see him. You
could have a nice meal, stay at the hotel, et cetera, et cetera. What do you say?



 



PAULINE



He wants me to go up there?



 



MARK



Yeah. (Pause) The company will pay for it, of course!



 



PAULINE



Oh, well in that case, I might… I’ll have to go home and pack.
You’ll drive me to my house, then to the station.



 



MARK



Me? But I’ve got to-



 



PAULINE



Are you arguing with me? I said you would drive me, and so you will!



 



MARK



(Obediently) All right if it’ll get you up there, I’ll take
you!



 



MARK follows PAULINE as she strides out of the coffee-house. DANIELLE
crosses her fingers so that he can see. MARK winks at her.



 



 



 



 



 



 



 



58. EXT. STREET OUTSIDE RAY’S. EVENING.



 



A taxi pulls up outside Ray’s Coffee-House. JEFF gets out of the
cab, takes his bags, and pays the driver. The cab drives away, leaving JEFF standing
alone. He looks around, and then enters Ray’s.



 



 



 



 



 



 



59. EXT. STATION. EVENING.



 



MARK is standing on the platform, watching as PAULINE gets onto the
train. He is smiling to himself.



 



 



MARK



Have a nice trip!



 



PAULINE turns around and glares at MARK. She sits down as the train
begins to move off, refusing the seat to an elderly woman with a walking stick. The train
moves off into the distance. MARK waves at it, until it is out of sight.



 



 



MARK



Thank God she’s gone!



 



A WOMAN behind MARK gasps at what he has just said.



 



 



MARK



(Seriously) Don’t be shocked; that was only my wife. How would you
like to go out tonight?



 



WOMAN



Pig!



 



The WOMAN turns her back on MARK and angrily walks away. MARK laughs to
himself as he jogs to the exit.



 



 



 



 



 



 



 



 



 



60. EXT. STREET OUTSIDE RAY’S COFFEE-HOUSE. EVENING.



 



ANGELA’S car comes to a screeching halt outside of Ray’s.
LAURIE hurriedly gets out, and ANGELA opens her window to talk:



 



 



ANGELA



Are you all right?



 



 



LAURIE



I’m more nervous than I can remember being in my life before, but
I’m not going to let that stop me from doing this.



 



ANGELA



Go on, then. Good luck!



 



ANGELA drives away to park her car, and LAURIE walks up to the door.
She looks through it and sees JEFF sitting alone, looking miserable. She opens the door
and walks in.



 



 



 



 



 



 



61. INT. RAY’S COFFEE-HOUSE. EVENING.



 



JEFF does not notice LAURIE as she walks towards him. She reaches his
table and stands in front of him. He still does not look up.



 



 



LAURIE



Don’t frown; you never know who’s falling in love with your
smile.



 



JEFF looks up, surprised to see LAURIE.



 



 



JEFF



What are you doing here?



 



LAURIE



Well, if you remember, a little while ago you promised me a coffee. I
thought it was time to collect.



 



JEFF



But I thought you didn’t want to see me.



 



LAURIE



(Crest-fallen) Oh, I understand now. Of course, I didn’t know the
reason you wanted to meet me before, but I think I get it now.



She stands.



 



 



JEFF



(Confused) Are you all right?



 



LAURIE



(Putting on her coat) I’m fine. Don’t flatter yourself; many
men have rejected me – they line up to do it. You’re just one of a very large
number.



 



JEFF



Who said anything about rejection?



 



LAURIE



I don’t understand. You just said-



 



JEFF



I just said I was surprised to see you. I didn’t say I was unhappy
about it.



 



LAURIE



(Sitting down) Really?



 



JEFF



Really. So, do you want that coffee now?



 



LAURIE smiles.



 



We cut to:



 



 



 



 



 



 



62. EXT. STREET OUTSIDE RAY’S COFFEE-HOUSE. EVENING.



 



ANGELA is standing outside Ray’s. She is looking through the
window, watching LAURIE and JEFF talking. MARK jogs up to her, and taps her on the
shoulder.



 



 



 



MARK



How long have you been here?



 



ANGELA



(Quietly) Oh, not long.



 



MARK



How are they doing?



 



ANGELA



(Smiling) Just fine.



 



MARK and ANGELA watch for a moment in silence.



 



 



MARK



So, I was just wondering… I know this little restaurant not far
from here. How about having a congratulatory meal for the both of us. After all, we did
help to keep romance alive.



 



ANGELA



I suppose I do deserve to have a meal bought for me, don’t I?



 



MARK



Most definitely.



 



MARK holds out his arm, and ANGELA takes it, laughing. They walk away
down the street together.



 



 



 



 



 



 



63. EXT. PARK. DAY.



 



LAURIE is still sitting on the bench we left her on when she began to
tell her story. She looks up as a figure walks towards her. As the figure draws closer,
LAURIE stands, smiling. It is JEFF.



 



 



LAURIE (V.O.)



It’s true that many people don’t believe in fate, and
it’s true that I used to be one of them. But things change.



 



JEFF reaches LAURIE, and they begin to walk away, holding hands.



 



 



LAURIE (V.O.)



And in my story, just like in all good fairy tales, we all lived happily
ever after.



 



FADE TO BLACK



 




THE END


 

 

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Copyright © 2000 Lisamarie Jones
Published on the World Wide Web by "www.storymania.com"